“Gradually raising themselves from a sitting to a kneeling posture, acting in perfect accord in every motion, then rising to their feet, they floated through a series of figures hardly to be exceeded in grace and difficulty, considering that the movements are essentially slow, the arms, hands and body being the real performers whilst the feet are scarcely noticed and for half the time not visible.”

Sir Frank A. Swettenham

'The Joget',  Malay Sketches (1895)


Kunang - Kunang Mabuk